Friday, December 30, 2011
Work to Do
Friday, December 16, 2011
The Romantics
Remember, you have a bit of homework over the break:
- Read Frankenstein and post at least twice to the Moodle forum by 1/3/12.
- A preliminary draft of your first essay is due (with a cover sheet) on 1/4/12.
Thursday, December 15, 2011
Essay Norming
Tuesday, December 13, 2011
Candide PC
Monday, December 12, 2011
Tending the Garden
Friday, December 9, 2011
The AP Essay & Candide
New Due dates:
- Candide PC and SG 12/13
- Essay #1 Topics 12/14
Thursday, December 8, 2011
PC Evaluation and More Candide
Students spent the rest of the day on their Candide presentations which are due tomorrow.
Wednesday, December 7, 2011
Work Time
Tuesday, December 6, 2011
Annotation Time
Monday, December 5, 2011
I'm Back
Friday, November 18, 2011
Thursday, November 17, 2011
Discussion Time
Wednesday, November 16, 2011
Wrapping Up the Poetry
Tuesday, November 15, 2011
Tuesday
Monday, November 14, 2011
A Short But Busy Monday
Thursday, November 10, 2011
Wednesday, November 9, 2011
Poetry Presentations
Tuesday, November 8, 2011
Wednesday, 11/9
- "Fire and Ice" by Robert Frost
- "A Poison Tree" by William Blake
- "Apparently with No Surprise" by Emily Dickinson
- "The Debt" by Paul Dunbar
- "A Noiseless Patient Spider" by Walt Whitman
- "Caged Skylark" by Gerard Manley Hopkins
Tuesday, 11/15
Wednesday, 11/16
Poetry Projects Presentations Begin Tomorrow
Poetry Project Audience Homework
Each night you should study the poems that will be presented the following day in class by answering the questions below. Poems should be in Sound and Sense, but are usually available online if you do a quick search for the title. Do all the assignments on the same paper, heading each assignment with the date and the poem’s title.
- Paraphrase the plot of this poem. Briefly, what is it about?
- What is the overall tone of the poem?
- Note a few literary techniques which stand out in this poem.
Monday, November 7, 2011
Stuff and CRAs
Friday, November 4, 2011
More Poetry Analysis
Thursday, November 3, 2011
The Woman Warrior & Poetry Annotation
New Due Dates:
- Read "White Tigers" through "Shaman" and post at least once by 11/7.
- Finish The Woman Warrior and post at least one more time by 11/14.
Wednesday, November 2, 2011
The Poetry Project
Friday, October 28, 2011
Fun with Meter
Wednesday, October 26, 2011
Poetry Intro
Tuesday: Faulkner Timed Writing
Monday, October 24, 2011
Friday and Monday
Monday we spent one more day on Faulkner, reviewing theme and potential thesis statements and comparing Cash's thoughts on sanity with Emily Dickinson's from her poem, "Much maddness is divinest sense."
Thursday, October 20, 2011
Wednesday/Thursday
- New Due Dates: PC, SG, Character Sheet, and Faulkner Quickwrites due Monday, 10/24
- Anse Bundren may be one of the most feckless characters in literature. Why do you think his neighbors repeatedly come to his aid? Is it out of pity, respect, guilt, charity, community, or is Anse just that good at manipulation?
- Faulkner allows Darl and Vardaman to express themselves in language that would be impossible given their lack of education and experience in the world. Why does Faulkner break with the realistic representation of character in this way?
- What does the novel reveal about the ways in which human beings deal with death, grieving, and letting go of loved ones?
- Why do you think Addie's chapter (40) is placed where it is? How does her chapter change your earlier perceptions of the Bundren family? For example, how well did Cora really know Addie?
- In chapter 40, Addie meditates on the distance between words and actions. Is Faulkner saying that words—his own chosen medium—are inadequate? What do Addie's definitions say about her as a woman?
- Humor and the grotesque are often interdependent in this novel, such as Vardaman's accidental drilling of holes in his dead mother's face so she can breathe, the family setting Cash's broken leg in cement and the family's apparent imperviousness to the stench of Addie's rotting corpse. What are other examples? What does this add to Faulkner’s narrative?
- What does Faulkner achieve through his use of fifteen different narrators and narrative voices? How does this shape the story and support Faulkner’s themes?
- The title As I Lay Dying is an allusion to Homer’s epic The Odyssey* (you may have read it your freshman year), which tells the story of the hero Odysseus’ return from the Trojan War. In what way is the Bundren’s journey an odyssey? What is the effect of this connection on the overall meaning of the novel?
Tuesday, October 18, 2011
Fecklessness & Faulkner
- Anse Bundren may be one of the most feckless characters in literature. Why do you think his neighbors repeatedly come to his aid? Is it out of pity, respect, guilt, charity, community, or is Anse just that good at manipulation?
Monday, October 17, 2011
Faulkner Quiz 2
Thursday, October 13, 2011
Shouldn't we be to 12 by now?
Wednesday, October 12, 2011
More Eleven
Tuesday, October 11, 2011
Being 11
Monday, October 10, 2011
As I Lay Tie Dying...
Friday, October 7, 2011
Fun with Figurative Language
Thursday, October 6, 2011
Home at Last!
Wednesday, October 5, 2011
Figuratively Speaking
Tuesday, October 4, 2011
As I Lay Dying Work
~~~~~~~~~~~~~~
- You may work with a partner (and share a text) if you’d like and can do so efficiently; however, you may also choose to work alone.
- Work through as many chapters as you can in the period. This is not homework (though you may continue taking similar notes if you find it helpful).
- Unless the substitute decides otherwise, this will be collected Wednesday.
- What do you learn about the narrator of the chapter in this chapter? Consider especially character traits and motifs associated with the character. What is the character’s relationship to Addie Bundren?
- What do you learn about other characters in this chapter? Do you find this narrator trustworthy? Why?
- What questions arise for you at the end of this chapter?
- What questions from previous chapters are answered here?
Monday, October 3, 2011
Faulkner
New Due Dates:
- Sections 1 through 31 by 10/10
- Finish it by 10/17
- Forum posts are due at Moodle by 10/10 and 10/17 as well.
Friday, September 30, 2011
Bye, Bye Medea
Thursday, September 29, 2011
Wednesday & Thursday
Wednesday, September 28, 2011
Tuesday
Monday, September 26, 2011
Friday & Monday
Thursday, September 22, 2011
More Irony
~~~~~~~~~~~~~~~~~~~~~~~~
In the poem to the right, by Edwin Arlington Robinson, relies much on irony. What type of irony is featured here and how does it affect your reading of the poem?
Whenever Richard Cory went down town,
We people on the pavement looked at him:
He was a gentleman from sole to crown,
Clean favored, and imperially slim.
And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said,
"Good-morning," and he glittered when he walked.
And he was rich, richer than a king—
And admirably schooled in every grace:
In fine, we thought that he was everything
To make us wish that we were in his place.
So on we worked, and waited for the light,
And went without the meat, and cursed the bread;
And Richard Cory, one calm summer night,
Went home and put a bullet through his head.
Wednesday, September 21, 2011
Isn't It Ironic?
Tuesday, September 20, 2011
The Greeks & Medea
HW: Finish Medea by Friday.
Monday, September 19, 2011
Friday, September 16, 2011
The Study Guide
HW: The Study Guide is due on Monday before the timed writing.
Thursday, September 15, 2011
The Study Guide Begins
WU (9/15): Review the CRA paragraph you wrote yesterday and revise it, preferably using another color pen or pencil so that your revisions are obvious.
- Are the aspect and effect clear, especially at the beginning, but also throughout the paragraph?
- Are all of your quotations smoothly integrated into your sentences?
- Have Medea by 9/20
- The Awakening Study Guide and Timed Writing 9/19
Wednesday, September 14, 2011
The Awakening: a CRA
Reread chapter 6 and the final chapter. Explore Chopin’s style in these chapters, especially the repetition of structure and motif. How do the elements of the novel as a whole come together around these two chapters?
Tuesday, September 13, 2011
Talk Time
Consider the end of the novel. Does it have to end this way, or does Edna have another way out? Think particularly about the events leading up to her suicide: her final visit with Robert, her attendance at Adele’s labor and subsequent discussion with Dr. Mandelet, and finding the note from Robert upon her return to the pigeon house. How do these things lead her to make her fatal choice?
Monday, September 12, 2011
Friday, September 9, 2011
A Couple Quick-Writes
Thursday, September 8, 2011
Thursday
Wednesday, September 7, 2011
Tuesday & Wednesday
Wednesday we spent the whole period on our first reading quiz.
- Finish The Awakening by 9/12 with at least one more Moodle post.
Friday, September 2, 2011
Picture Day
Due Dates:
Read chapters 1 through 16 in The Awakening and post at least once by 9/7
Thursday, September 1, 2011
Wrapping Up the CRA
HW Revise CRAs, due 9/2
Wednesday, August 31, 2011
CRAs Continued
Tuesday
- Choose ONE element of Jan Neruda’s short story.
- Write a single-paragraph analysis of the passage that reflects on this element and how it contributes to theme and/or tone.
- Through… Neruda examines…
- By… Neruda explores…
- In “The Three Lilies,” Neruda seems to criticize…
- Neruda’s short story demonstrates how…
- Through multiple references to _____, both literal and metaphoric, Neruda explores how…
Each quotation or example should be carefully explicated to show HOW the example proves your assertion.
Monday, August 29, 2011
"The Three Lilies"
New Due Dates:
- "Literature" and "Literary Merit" definition assignment at Moodle, 8/31
- Course Description Quiz, 9/2
Friday, August 26, 2011
Canaries and Phoenixes
HW (Re)Read "The Three Lilies."
Thursday, August 25, 2011
Stuff and Hemingway
New Due Dates:
- (re)Read "This is what it means to say Phoenix, Arizona" 8/26
- Find, Print, Sign and Return the "AP Honor Statement" at Moodle 8/31
- Have The Awakening 8/31
Wednesday, August 24, 2011
And so it begins...
Tuesday, August 16, 2011
Part 4
A quick look online shows how industriously you have been posting to the Foster forums. I have read all of the first forum, and I am impressed at the range and level of insight. "Meeting" you this way is one of my favorite parts of the class.
As of yesterday evening, the final piece of the summer assignment (due the 20th at 12:00 p.m.) is open. Have a look and let me know if you have any questions. I hope you enjoy the stories I have chosen.
Finally, it seems time to make a note on late work. Some of you have not yet posted to the first Foster forum; it is not too late. Late work is better than no work both intellectually and as it regards your grade.
May this find you enjoying the last weeks of your summer and looking forward to the start of your senior year.
See you in person next week.
Mr. Staiano
Thursday, August 4, 2011
Forums Due 8/8 and 8/15
Thursday, June 30, 2011
AP Lit Update: Summer Assignment, Part 2
- Part 3 of the Summer Assignment—This consists of two separate discussion boards due on 8/8 and 8/15 respectively; however, I encourage you to post early and check back regularly. If you do so, the experience should be helpful and intellectually rewarding, not just busy work. At the very least, log in and read through the assignments.
- The 2011-12 Syllabus—The tentative version of the syllabus, including expectations and a rough course outline will be posted soon.
- The Interactive 2011-2012 Reading List—This includes links to all the texts available in free, online versions (everything but Foster's text, Woman Warrior, As I Lay Dying, and Invisible Man). Remember, you still need printed copies (or e-book versions) in class.
Monday, June 6, 2011
The Work Goes On
Wednesday, May 18, 2011
Literature Circles
Monday, May 16, 2011
Thursday, May 5, 2011
Wednesday, May 4, 2011
Test Eve
Tuesday, May 3, 2011
Study Time
Monday, May 2, 2011
Study Guide Presentations
Friday, April 29, 2011
Final Book Project and Study Guide Review
Thursday, April 28, 2011
A Poetic Wrap Up
Wednesday, April 27, 2011
Essay Strategies & Practice
Tuesday, April 26, 2011
More Multiple Choice
Monday, April 25, 2011
The Final Leg
Friday, April 15, 2011
Happy Spring Vacation (in the rain)
Thursday, April 14, 2011
The Artist Takes Flight
Of Parody & Princesses
Wednesday, April 13, 2011
Stephen's Last Days
Tuesday, April 12, 2011
Response Groups
Monday, April 11, 2011
Joyce's Aesthetics
Friday, April 8, 2011
Thursday, April 7, 2011
Wednesday & Thursday
- Wednesday we wrapped up our discussion of Stephen's major chapter 4 epiphany and began looking at an example of the villanelle, Thomas' "Do Not Go Gentle Into That Good Night."
- Thursday we wrapped up our discussion of Thomas' poem and started a video on Joyce's aesthetic theory.
Tuesday, April 5, 2011
Joyce and New Dates
New Dates:
- Essay Topics Posted, TODAY
- Essay Topic Comments, Wednesday, 4/6
- Poetry Unit Exam (multiple choice and PC), Friday, 4/8
- Joyce PC and SG, Friday 4/15
Monday, April 4, 2011
Joyce in Earnest
Friday, April 1, 2011
I guess because it's Friday...
Tuesday, March 29, 2011
Wednesday, Same as Tuesday...
Monday, March 28, 2011
Gotta Love that Modern Poetry
Friday, March 25, 2011
Return
Each night you should study the poem(s) that will be presented the following day in class by answering the questions below. Poems should be in Sound and Sense or will be given out in class, but are usually available online at the HW blog as well. Do all the assignments on the same paper, heading each assignment with the date and the poem’s title.
- Summarize the plot of this poem. Briefly, what is it about?
- Note a few literary techniques which stand out in this poem.
Period 6 Poems
- After Everything - Sandra Cisneros
- The Naked and the Nude - Robert Graves
Wednesday
Thursday
Friday
Period 2 Poems
Tuesday
Wednesday
- Morning Song - Sylvia Plath
- As the Mist Leaves No Scar - Leonard Cohen
Friday
Friday, March 18, 2011
The Second Coming
We wrapped up the week by looking at the next (and last) poetry project. Students had time to form groups and start looking for poems. Wednesday through Thursday of next week will be work days. Presentations begin a week from Monday (on 3/28).
Wednesday, March 16, 2011
Wrapping Up Loose Ends
Tuesday, March 15, 2011
Into the Portrait...
Chapter 1 and the chapter one motif assignment at moodle due 3/21.
Monday, March 14, 2011
We Waited for Godot
Thursday, March 10, 2011
The Icarus Myth
Wednesday, March 9, 2011
Act 2
Tuesday, March 8, 2011
Presentations Begin
Monday, March 7, 2011
Thursday, March 3, 2011
Finally Some Discussion
Wednesday, March 2, 2011
There's Never Enough Time...
Tuesday, March 1, 2011
Eliot's "The Hollow Men"
Read T.S. Eliot's poem "The Hollow Men" and do the following:
- ANNOTATE the poem. Mark features that stand out (e.g. repetition, rhyme, stanzification, alliteration, consonance, enjambment, syllables, figurative language, etc.), note difficult words or lines, indicate questions or comments, etc.
- SUMMARIZE the poem in a sentence or two. Look up words and allusions if needed.
- Explain the TONE of the poem in a sentence or two. Use our list of tone words if you’d like.
- Explain the THEME of the poem in a sentence or two.
- Carefully answer the questions below. Refer to your work above and quote the poem where appropriate to support your responses.
- How does Eliot show the emptiness of the person(s) in the poem? What images does he use to suggest emptiness?
- What is Eliot's statement about life in this poem? How valid is his statement for today's world?
- What other aspects of the poem stand out (think structure, figurative language, etc)? How? Why? To what effect?
Monday, February 28, 2011
Godot has Arrived
Friday, February 18, 2011
Upon a kiss...
Enjoy the vacation!
Thursday, February 17, 2011
Thursday
Tuesday, February 15, 2011
Presentations Continued
Monday, February 14, 2011
Othello Presentations, Day 2
Friday, February 11, 2011
Some Work and Act 1
Thursday, February 10, 2011
Wednesday, February 9, 2011
Tuesday, February 8, 2011
Papers and Projects
Monday, February 7, 2011
Friday and Monday
Monday after a bit of introductory blather, groups chose monologues, began annotations, and started working together on the overall presentation.
Thursday, February 3, 2011
What? Work day!
To begin with, each student did the Reverse Outline activity below with his/her essay from the final exam.
I. Copy Your Thesis
II. What is the purpose of the paragraph? (This should be in the topic sentence).
a. What evidence supports this?
b. More evidence (if present)
Repeat II as needed.
Once they finished, students had several options:
- Using the outline you just created and our discussions of the sample essays to guide you, revise your timed writing from the final (extra credit).
- Review the comments on your topic and begin planning your essay.
- Catch up with your Othello posts at Moodle.
- Read act 5 of the play (which you will be quizzed on tomorrow).
Wednesday, February 2, 2011
The Reverse Outline: Essay X
Tuesday, February 1, 2011
Tuesday
Remember that paper topic posts are due.
Monday
Othello Dates:
- Act 1, 1/31 w/ post
- Act 2, 2/1 w/ post
- Act 3, 2/2 w/ post
- Act 4, 2/3 w/ post
- Act 5, 2/4 w/ post
Thursday, January 27, 2011
Candide PC
Bring Othello to class tomorrow.
Wednesday, January 26, 2011
Wrapping up Candide.
Candide PC and SG tomorrow.
Tuesday, January 25, 2011
A Return to the Garden
Monday, January 24, 2011
And So It Begins...Again
Essay #2 Due Dates:
- * Topics Posted to MH 2/1
- * Topics Commented Upon at MH 2/2
- * Drafts in Class with Cover Sheets 2/8
- * Final Drafts Due 2/18
Tuesday, January 18, 2011
Candide Three Ways
We worked a bit on the Candide CRA (which I collected).
Finally, we worked on a quick Candide warm-up (which I did not collect, but will).
Friday, January 14, 2011
The whole lesson is below.
- Identify one of Voltaire’s satirical targets here.
- Name one technique Voltaire employs to further his satire.
- Finally, what is Voltaire’s message about his target?
Write a paragraph in which you explain how one or more of the devices you noted contribute to the satirical point you pinpointed.
Your paragraph should begin with a clear topic sentence (or sentences) like:
- Through [some technique], Voltaire attacks [his target], saying that [his specific point].
- In this passage, Voltaire mocks [his target]. By [some technique], he demonstrates [his specific point].
- By [some technique], Voltaire emphasizes [his specific point about his target].
Thursday, January 13, 2011
Fun with Art 2: The Presentations
Wednesday, January 12, 2011
Fun with Art
Tuesday, January 11, 2011
Another Scavenger Hunt
Monday, January 10, 2011
Candide
For Tomorrow: Read through chapter 7
Friday, January 7, 2011
PC Friday
Thursday, January 6, 2011
Theme & a Treasure Hunt
Timed writing and study guide tomorrow.
Wednesday, January 5, 2011
Romance Anyone?
Tuesday, January 4, 2011
Of Eagles and Livers...
- Choose a Passage from the Novel: the passage should be in the neighborhood of 16 to 20 lines.
- Annotate the Passage.
- You may do this in your book or you may print a copy of the passage (while looking at the online text, use the “find” command to locate your passage, copy and paste it into Word, and print). Note figurative and stylistic devices, theme, tone, etc.
- Choose one aspect of your passage and write a CRA paragraph explaining how that aspect affects theme and/or tone. Be sure to quote the passage liberally. Consider using the literary analysis frames handout you were given.